Tuesday, December 20, 2011

Best Time for Online Video Ad Clicks

Clicks are still the currency by which many marketers measure success in online advertising, and early evening ranks as the most effective time for generating clicks on online video ads.

That’s the result of a new study by ad platform TubeMogul. While online video is often used as a branding mechanism for marketers, many do still want to drive clicks, which could range from encouraging viewers to share a link on Twitter, have a conversation on a brand’s Facebook fan page, or even buy a product online, TubeMogul said in its report. Clicks are often more quantifiable to measure than increases in brand awareness or word of mouth.

TubeMogul’s study of about 23 million impressions from pre-roll ads bought by top brands in the consumer packaged goods, retail and restaurant industries indicated that the end of the work day and into early TV primetime were the best hours for delivering the most clicks. Specifically, TubeMogul found that nearly 26% of all clicks on video ads fall between 5-9 p.m. — also the time frame when click rates overall are highest, TubeMogul said. One might think completion rates for video ads would also be highest during those hours. However, that’s not the case. Completion rates don’t vary significantly based on the time of day, or on whether the pre-roll ad is 15 seconds or 30 seconds, which suggests that viewers are simply more receptive to ads during those early evening hours.

Advertisers would be wise to serve their ads late in the afternoon and into the early evening in order to achieve the maximum engagement.-MediaPost

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Thursday, December 15, 2011

Marketers Slicing from TV Budgets for Online Video

About two-thirds of marketers say they’ll increase their budgets for online video advertising in 2012, and some of them will be snagging that money from the TV ad budget.

That’s the finding of a study conducted by Break Media, released today. Of course, the big caveat is Break has a huge stake in the online video ad economy since Break Media Network is a large video ad network reaching more than 120 million visitors each month, and also owns Break.com, the popular humor video site. Even so, the study’s findings dovetail with those from marketers and research firms also expecting another robust year for online video ads in 2012.

Specifically, about 32% of advertisers who plan to up their online video ad spend in 2012 will take money from TV budgets, 54% from non-video display budgets, and 38% from organic budget growth, Break found in its survey of more than 300 decision makers at ad agencies and marketers. More than 90% of advertisers plan to use video ad networks in the year ahead and expect to allocate 20% to 41% of total video dollars through ad networks.

Interestingly, marketers may shift away from the cost-per-thousand model that has been the bedrock of TV and video advertising in favor of a cost-per-view model. Break said that model has doubled in use in the past year. The growth in the cost-per-view model likely comes from the increasing use of video ad networks, since that pricing model is most commonly offered by ad networks. Pre-roll is still the most preferred ad format, while mobile will be second, overtaking in-banner in 2012.

The expectations for 2012 stem in part from how video performed this year. Many advertisers plowed more money than originally planned into video this year. About 57% said they spent what they planned, 14% spent less and 29% spent more than they expected to in online video.

But online video will face obstacles in 2012, including difficulty measuring ROI and a lack of standard metrics. The ROI issue has been cited in many studies this year as a major hurdle, including most recently by Casale Media.- MediaPost

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Wednesday, December 14, 2011

Twitvid Launches Pinterest for Video

Twitvid, whose name has historically been extremely informative — it’s a host for sharing videos on Twitter — is trying something new. This week, the company launches a section of its site devoted to sharing and discovering the best Web video from sites like YouTube and Vimeo. Twitvid (which raised about $10 million in venture funding) will continue to provide its existing service, and hopes to get some of its 12 million monthly uniques to participate in its “Pinterest for video,” said CEO Mo Adham.-AllThingsD

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Sunday, December 11, 2011

Social Video Delivers

How social video is changing online advertising
Social media is changing the way brands use online advertising. One of the most striking examples of this change is social video, where users opt-in to view videos on their own, and then share them or take other actions. Unlike pre-roll, expanding banners, and other interruptive video units, social video puts users in control. This new structure challenges long-held beliefs about the efficiency of traditional reach-and-frequency spending, and it has made social video one of the hottest new segments of online advertising. Some recently released data that shed light on social video trends and usage patterns. The study was based on a sample of more than 13 million user-initiated video views between January 1, 2011 and September 30, 2011. The views were a result of social video campaigns created for Fortune 500 brands across a number of vertical categories, including consumer packaged goods, apparel, consumer technology, retail, luxury products, fashion and beauty, sports and fitness, and auto.

Key insights from the study:

Humor works
Humorous videos are prominent within the social video space, accounting for four-in-10 campaigns. Those who watch a humorous video are more than three times more likely to click to a brand's Facebook page after viewing than those who watch other types of social video content.

Celebrities don't guarantee engagementOnly one-in-10 social video campaigns feature a TV or movie personality, and they are actually less effective at driving brand interactions than non-celebrity videos. Celebrity videos drive 12 percent fewer visits to brands' Facebook pages than non-celebrity videos. This data may indicate that those who watch celebrity videos are more interested in the famous personas than the brands behind them.

Short and long-form are most effective
Fifteen-second videos produce the best click-through rates, but they are used least. Only 10 percent of videos are 15 seconds or less, yet they are 153 percent more effective than videos between 16 seconds and one minute.

Videos of 60 seconds or more are the second-most effective format, outperforming videos between 16-60 seconds by 70 percent. This may indicate that 16 second-to-one-minute videos are not enough time to tell an engaging story.

Girl power growsAccording to our first study released in January and based on 2010 data, women accounted for nearly 57 percent of social video views. In 2011, that number has grown to 63 percent.

While 18 to 44 year-olds dominate, younger people are gaining interest
Sixty percent of video watchers are between the ages of 18 to 44, while viewers between 12 and 17 years-old increased by 48 percent since the beginning of 2011.

Facebook page trafficThe social video opt-in environment is more effective in driving post-view engagement than interruptive video units, such as pre-roll. Users who opt-in to watch social videos are more than three times as likely to interact with a brand after the view, compared to pre-roll, according to the YuMe Video Advertising Metrics reports in 2010 and 2011. Social videos are notably effective in driving users to a brand's Facebook page. "Join a brand on Facebook" is the single most popular post-view interaction, accounting for 40 percent of all post-view activity.

Social video completionSocial video programs deliver completion rates that are significantly higher than pre-roll. On average, 64 percent of users served a 30-second pre-roll video watch to completion. In contrast, 95 percent of users who opt-in to a social video of the same length watch to the end.
Social video is rewriting the advertising rules of engagement. While the vast majority of online video advertising is still interruptive, the data above illustrate the benefits of respecting consumers and meeting them on their own terms. It will be fascinating to watch the medium evolve in 2012 and beyond.- iMediaConnection

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Friday, December 2, 2011

VMakers - working on the New Chelsea Handler Sitcom

The video and film pros at VMakers are working on the new Chelsea Handler sitcom.

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Thursday, December 1, 2011

YouTube Steps Up Analytics, Drills Into Viewer Stats

Youtube-YouTube still dominates streaming media. As such, tracking a campaign’s performance on Google’s video hub remains a critical component of any marketer’s viral video efforts.
Responding to greater demand for more in-depth reporting and analysis, YouTube has replaced its Insight tracking service with a more thorough Analytics offering.

Analytics attempts to take Insights to another level by giving publishers of any size more information about their content and viewers. It features a new overview section, which prioritizes a publisher’s most relevant information, as well as more detailed statistics.

The new service also hopes to help publishers discover which videos are driving the most views and subscriptions -- and how far viewers are watching through videos in the new audience retention report.

Led by YouTube, Google sites still ranked as the top online video content property in October -- with 161 million unique viewers and a record 20.9 billion videos viewed, per comScore Video Metrix.

Still small by comparison, Facebook.com represents a clear threat to YouTube’s video dominance. According to comScore, the social network ranked second in terms of viewers, with 59.8 million in October.

Overall, with the average viewer now consuming a record 21.1 hours of video a month, a total of 184 million U.S. Web users -- or 86.2% of the country’s online population -- watched more than 42 billion videos in October.

Also worth noting, video ads accounted for 14.9% of all videos viewed -- and 1.4% of all minutes spent viewing video online -- in October. Across the board, video ads reached 53% of the total U.S. population an average of 47 times during the month, while Hulu delivered the highest frequency of video ads to its viewers with an average of 46.5. - Gavin O-Malley, MediaPost

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Wednesday, November 30, 2011

2012 Trends: Video Leads Online Ad Growth

US online video ad spending to grow 43.1% in 2012


Whether they think of it as magnetic content or advertising, marketers are increasingly focused on creating video assets. This type of media reproduces the richness consumers associate with TV, often at a lower cost. And if online venues tend to fall short of TV when it comes to reach, they make up the difference by engaging viewers in an active, lean-forward mode.

The virtuous circle of content and technology adoption that consumers are experiencing is also fueling this trend. eMarketer estimates that US online video ad spending will grow by a compound annual rate of 38% in a five-year span ending in 2015, making this by far the fastest-rising category of online spending.

US Online Ad Spending Growth, by Format, 2010-2015 (% change)

By 2015, video ad spending will reach $7.11 billion, up from $2.16 billion in 2011. In the past year alone, growth was 52.1%.

US Online Ad Spending, by Format, 2010-2015 (billions)

Similarly, in the UK video advertising will lead the pack, growing by a compound annual rate of 65% over five years. By 2015, UK video online ad spending will reach $850 million, compared with $150 million in 2011. As a percentage of total online advertising, video will grow to 8.2% in 2015 from 2.1% in 2011.
Still, challenges remain, including the high price of online video ads and the need for better reach and measurement. Several factors will mitigate these problems, making the upward course for video ad spending strong in 2012 and beyond. These factors include better filtering technologies for user-generated content, so publishers can better monetize it with ads; the emergence of cost per view and cost per engagement pricing structures; the increased use of interactive ad units and magnetic content; and personalization and targeting of video ads.
For more information on marketing developments expected next year, stay tuned for the forthcoming eMarketer report “Top Trends for 2012.”-eMarketer
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Why Music Matters in Videos

When it comes to online video, music is the single biggest lost opportunity for brands.

It baffles me how a brand can spend $30,000 to $300,000 on product marketing and consumer outreach videos, then not spend another 5% for professional music from either established or unknown artists. After all, in 1928, Warner Bros. saw 5000% profit margins from its first “talkies” -- films that were primarily musical in nature. More recently, Apple turned the tech industry on its ear through music.

Music affects people. The Pied Piper is a parable -- but it’s also grounded in truth. It’s not just mice that respond to music. People do, too.

And brands aren’t forced to license music from well-established artists.
- While it is difficult to assign an exact number, it’s consensus that several million (that’s million) artists and bands are on MySpace.
- Even Michelangelo was paid for the Sistine Chapel.

Finding credible artists without high costs isn’t as daunting as it might seem:
- Check out the lesser-known artists at music festivals like Outside Lands and Coachella.
- Roam the sidewalks of 6th Street in Austin at SXSW.
- Or simply watch for who’s coming through town at your smaller music venues.
Here’s the best part: pick the right music, and brands have the opportunity to be labeled as “cool” and “relevant” when the artists make it big. Your brand might even get credit for breaking the band to a wider audience.

Maybe you should pay a little more attention to that band  on the street corner or in the farmer’s market. They could be your ticket to video success.-Bryan Boettger, MediaPost

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Tuesday, November 29, 2011

comScore Releases October 2011 US Online Video Rankings

Record 20 Billion Content Videos Viewed on Google Sites

comScore Video Metrix service shows that 184 million U.S. Internet users watched online video content in October for an average of 21.1 hours per viewer. The total U.S. Internet audience viewed 42.6 billion videos, representing an all-time high.

Top 10 Video Content Properties by Unique Viewers
Google Sites, driven primarily by video viewing at YouTube.com, ranked as the top online video content property in October with 161 million unique viewers and reached a record high of 20.9 billion videos viewed. Facebook.com ranked second with 59.8 million viewers, followed by VEVO with 57 million, Microsoft Sites with 49.1 million and Viacom Digital with 48.2 million. More than 42 billion videos were viewed during the month, with the average viewer watching a record 21.1 hours. Google Sites demonstrated the highest engagement with 7.1 hours per viewer.

 *A video is defined as any streamed segment of audiovisual content, (both progressive downloads and live streams). For long-form, segmented content, (e.g. television episodes with ad pods in the middle) each segment of the content is counted as a distinct video stream.

Top 10 Video Ad Properties by Video Ads Viewed
Americans viewed 7.5 billion video ads in October, with Hulu generating the highest number of video ad impressions at more than 1.3 billion. Tremor Video ranked second overall (and highest among video ad exchanges/networks) crossing the 1 billion mark for the first time. BrightRoll Video Network ranked third with 756 million, followed by Specific Media with 512 million and CBS Interactive with 415 million. Time spent watching video ads totaled more than 3.2 billion minutes during the month, with Tremor Video delivering the highest duration of video ads at 614 million minutes. Video ads reached 53 percent of the total U.S. population an average of 47 times during the month. Hulu delivered the highest frequency of video ads to its viewers with an average of 46.5.

Note: Adap.tv has been excluded from this list due to a technological issue with its video census tags, affecting data for October 2011.
*Video ads include streaming-video advertising only and do not include other types of video monetization, such as overlays, branded players, matching banner ads, homepage ads, etc.
**Indicates video ad network

Top 10 YouTube Partner Channels by Unique Viewers
The October 2011 YouTube partner data revealed that video music channels VEVO (54.2 million viewers) and Warner Music (30.4 million viewers) maintained the top two positions. Gaming channel Machinima ranked third with 17.7 million viewers, followed by Schmooru with 9.9 million, Maker Studios with 9.4 million and Demand Media with 7.4 million. Within the top 10 partners, Machinima demonstrated the highest engagement with 65.1 minutes per viewer on average, while accounting for the second highest number of videos viewed (277 million) after VEVO.

*YouTube Partner Reporting based on online video content viewing and does not include claimed user-generated content

Other notable findings from October 2011 include:
  • 86.2 percent of the U.S. Internet audience viewed online video.
  • The duration of the average online content video was 5.5 minutes, while the average online video ad was 0.4 minutes.
  • Video ads accounted for 14.9 percent of all videos viewed and 1.4 percent of all minutes spent viewing video online. More.
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Friday, November 25, 2011

Video - A Must Have for Marketers


SmartBrief on Social Media tracks feedback from leading marketers about social media practices and issues. This week, marketers were asked: Do you incorporate video elements into your social media presence?

The results:
Yes, and they have been very successful: 42.16%
We’d like to create videos, but we’re not sure how: 28.43%
No, we have no plans to produce videos: 17.65%
Yes, but the results have been disappointing: 11.76%

Video as a form of content for your social media and content-marketing efforts has reached must-have status.
According to a survey in May by the Pew Research Center’s Internet & American Life Project, “71% of online Americans use video-sharing sites such as YouTube and Vimeo, up from 66% a year earlier.” Further, in The State of Online Video presentation in January, comScore’s Dan Piech said “89 million people in the U.S. are going to watch 1.2 billion videos … today.” So, if I were to say that online video has grown in popularity, it would be such a ridiculous understatement.

The growth of broadband Internet access combined with increased computing power in smartphones and mobile devices makes watching online video possible just about anywhere — literally. You can watch video when standing in an aisle at Costco Wholesale, sitting in a doctor’s office waiting for a flu shot or lying on a couch during a commercial break. Simply put, online video has become omnipresent, only a click and a second or two away from our viewing pleasure.

Why? For some, such as busy executives, watching video is simply easier. Consider this finding from Forbes Insights study “Video in the C-Suite: Executives Embrace the Non-Text Web”: “Three-quarters (75%) of executives surveyed said they watch work-related videos on business-related websites at least weekly.” Also, “65% have visited a vendor’s website after watching a video.”

So not only are we seeing increased frequency of viewing but also that video is effectively influencing our online behavior. And, as SmartPulse results show, 42% of you are seeing that success. For the 28% that are not sure how to get started, If you need help contact VMakers.com at 888.712.8211 or info@VMakers.com. For those not planning video, the resources in this article  should convince you of your need to get started.
-Jeremy Victor, SmartBrief

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Wednesday, November 23, 2011

New IAB Guidelines Bring More Transparency To Video Advertising

Networks & Exchanges Quality Assurance Guidelines

The current ad networks and ad exchanges marketplace is complex and confusing. Over 1 million web sites carry advertising, and there are reports of 300+ ad networks and ad exchanges. Web page content can change constantly and dynamically. The IAB Quality Assurance Guidelines are intended to demystify ad networks and ad exchanges. These guidelines are designed specifically for networks & exchanges who are principals in transactions with marketers and agencies. However, these guidelines do not apply to ad exchanges that are technology platforms only, providing tools to enable direct media buying and selling between participants.

2 key objectives for the buying community:
- Provide detailed information for:
- Acquiring Inventory
- Contextual Taxonomy & Targeting
- Inventory Vetting
- Data Disclosure

Eliminate confusion through a common vocabulary for:
- Targeting
- Data

Networks & Exchanges that voluntarily agree to be certified against these guidelines are providing marketers & agencies with a standardized approach that is designed to make buying easier and to give increased control over where ads are placed. Marketers & Agencies will have greater brand safety assurances that ads will not appear next to content that they decide is inappropriate. For the first time, the US ad networks and ad exchanges market will be giving advertisers consistent and standardized information, serving to build greater marketplace trust.

Download Guidelines.

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Friday, November 18, 2011

Video is Imperative, Don't Get Left Behind!

Consumer and business usage of video is increasing at an astonishing rate. Cisco has estimated that video will increase from 30% of Internet traffic in 2010 to 90% by 2013. Online retailers are already using video, and service companies, manufacturing, and many others are also hopping on board. The scope of businesses that employ video and the different uses for video are expanding.

 The message is clear: people expect online video as a central element of a company’s communications strategy. No matter what sector of business you are in, incorporating video is an essential step in preparing yourself for the future of marketing.

73% of online retailers use video on product pages, which means that if you’re a retailer and you don’t have video on your site, you are officially in the minority, according to eMarketer. A recent survey by Industrial Marketing Today found that 50% of B2B manufacturers use YouTube as a channel to connect with their customers. Even service companies such as Charles Schwab are starting  to include videos on their websites.

Video can be used in various ways, which explains why more companies are using video to achieve business objectives. It is clearly beneficial for online retailers to demonstrate a product to their consumers. But what about answering potential questions about your company through video on a FAQ page? This way, you can efficiently inform your customer with a personal touch. Dell credits video with reducing service call volumes by 5%, and Virgin Mobile expects video to reduce call volumes by 14% in 2011(The Australian, December 2010).

Promotional videos can be placed on a landing page to endorse new products and services. Background video on a Web site can make the page feel interactive and exciting. The list of possibilities goes on. Companies are using video on more platforms as well. YouTube is a common channel that companies use, and it is the second most popular web site with 790 million unique monthly visitors, per ReelSEO. Other social media tools, such as Facebook and Twitter, integrate video into their systems and make it easier than ever for users to share videos with each other.

The use of video in emails is gaining in popularity and has been shown to increase click-through rates by over 96%, in an Implix survey. Newsletters or other subscriber-based system could benefit from video, too. Video is even extending beyond the computer, to mobile phone apps or at on-site locations. Imagine going to a restaurant, using your phone to scan a QR code next to a menu item, and watching a clip on what the dish looks like and how it is made. This is just one example on how video can be employed inthe hospitality industry.

Increasing consumption of video makes it clear that consumers prefer to take information in as video over other forms of content. That’s true no matter what business you may be in. Companies that respond by deploying video more broadly will be speaking in their customers’ preferred language.-VideoInsider

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Tuesday, November 15, 2011

Your Brand's Website and Facebook Page are Hungry, Feed Them Video!

Online video, branding and social media have become inextricably linked. Facebook and Twitter are among the first places online video viewers hear about a new video, and traffic referred to videos from those sources is often the most engaged of a brand’s video viewers. Online video technology provider Brightcove recently released a report analyzing trends in the first two quarters of 2011, underscoring just how vital social media is for discovery and interest in a video whether from a broadcaster, a news source or a brand.

This should not be surprising. On social channels, we often hear about videos from friends or colleagues whose opinion we trust, making us more likely to both tune in and to finish watching. We also may follow brands in those venues, and therefore will be more interested and keen on the videos that are shared by a brand. That’s why Facebook and Twitter powered the longest viewing times in the first half of the year for most videos. Facebook took the lead in all categories of video except broadcast video in terms of driving viewing time among discovery sources for video. Brands also saw a higher engagement level on Facebook compared to other sources. By and large, Facebook users watched more video regardless of whether the video came from a broadcaster, magazine, brand, newspaper or online media than consumers who found video through Google, Yahoo, Bing or Twitter.

The upshot is that video clearly powers engagement for a brand. As such, marketers should take advantage of the feedback loop that exists between social channels and video. Brands need to make sure video is feeding social media and social media is feeding video. Make sure your two channels are tightly connected and serving each other, with each one bolstering the other. - Daisy Whitney, MediaPost

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Monday, October 31, 2011

6 YouTube Marketing Tips

YouTube is the biggest social media site. It's bigger than Facebook or Twitter." YouTube is still a great place to launch or grow a brand.

Here are some tips from entrepreneurs, plus some from Lane Shackleton, product manager for YouTube.

1. Don't expect your video to go viral
Are you ready to become the next Orabrush? Maybe it's time to reset your expectations. 48 hours of video are loaded to YouTube every minute, so you're probably better off playing Powerball than waiting for your clip to take off.

Anyone who thinks they're going to have a video go crazy on YouTube is dreaming. Raw numbers aren't as important as reaching the right customers, so don't freak if you're nowhere near a million views.

2. Buy some ads
Since your video's probably not going to go viral on its own (or at all), you should consider buying some ads on YouTube. Fortunately, rates are pretty good compared to AdWords. Search ads on YouTube are going for 50 cents per click vs. $1.50 per click on AdWords. So you don't have to sink a fortune into it. You can do pretty well today buying "promoted videos," the ads that pop up when you do a YouTube search. However, no matter what you spend on ads, make sure the content is relevant to the search term. Google will base the ad's position on that relevance.

3. Use comments, hot spots and A/B testing as your focus group
If you hire an agency to run a TV spot, they're likely going to want to subject the ad to focus group testing. But if you're a small DIY advertiser, your best approximation of a focus group—aside from your wife and her Rotary Club friends—are the comments below your video. Many will be insipid and/or obscene, but some just may have some insight.

Beyond that, YouTube has some other tools to help you gauge how your video is being received. Chief among these is Hot Spots, a technology that lets you see when people are tuning in and out of your video.

Another option is A/B testing. Big ad firms do this, as well, but you can do it on a smaller scale by running two different versions of your clip as an unlisted video backed by search ads and then watching to see which one gets the better response. Then, you choose the winner.

Finally, there's Google Analytics, which will at least tell you how much referral traffic you're getting from YouTube. Shackleton says on average, people who come to your site from YouTube spend more time there than if they came from somewhere else.

4. Watch a lot of YouTube
If you're serious about using YouTube as a marketing platform, then do your research. Forget about watching TV ads, and spend a few hours discovering what's hot on YouTube. The goal is to begin to "recognize good ideas."

5. Track that ROI 
If you're spending money on YouTube ads, you will likely want to know what you have to show for it. The fact that people have clicked through your ads is great, but the novelty will wear off quickly if they're not actually buying anything.

Now here's the surprising part: Despite the fact that Google owns YouTube and marketing on YouTube is, by definition, 21st century digital and cutting edge, you still have to rely on a fairly improvisational, analog form of ROI tracking.

6. Find your niche
If you followed step 4 and watched copious amounts of YouTube programming, you should be getting a sense of what will and won't fly on YouTube. Guess what? No one wants to watch an ad unless it's really, really good. But rather than try to crack the code on a spectacular ad, either position yourself as an expert in your particular field or attach your brand to a particular lifestyle. Pick an interesting part of your brand and focus on it.

But what if you sell something really boring, like plumbing supplies? Chances are this is interesting to someone, perhaps someone who has to fix their toilet in a hurry. Get inside their head and make a video directed to their likely concerns. Whatever you do, don't think like a traditional advertiser.
The key is creating stuff that helps people, that people connect to, and allows them to explore. It's not about advertising. - OpenForum

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Tuesday, October 25, 2011

How to Sell Merchandise on YouTube - NEW Merch Store

YouTube has long been a friend to independent musicians and bands trying to build an audience, and now it can help them raise money through merchandising, as well. The video sharing site has announced a new feature called the Merch Store, which lets YouTube partners sell merchandise to their fans. They can list song downloads, clothing, tickets, a meeting with the band, and more.

YouTube isn’t selling the goods directly. Instead, it partnered with sites like Topspin (for clothing and other merchandise), Apple and Amazon (for song downloads), and Songkick (for concerts).
Artists who want to take part will need to become YouTube partners first. YouTube wrote on its blog that becoming a partner is now easier than before.
The page you’ll need is called Content Identification Application, and the purpose is to prove to YouTube that you own the copyright for the material you’re uploading. Once that’s cleared, you’ll be able to serve ads on your videos and sell merchandise.
If you don’t get access to the Merch Store immediately, don’t despair: YouTube is rolling out access to the store gradually over the coming weeks. Prepare your posters and t-shirts, and eventually you’ll get a chance.
By the way, if you’re in the New York City area, YouTube is hosting a panel discussion with artists who have advanced their careers using the site. Go to the Mercury Lounge October 20 at noon ET to listen in.

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How to Use Zoom, Moving Camera, & Moving Zoom:


Check out the video!

Magnification vs. Movement

Moving camera shots, such as a dolly or tracking shot, physically advance or change the position of the camera. A zoom lens, however, makes the subject larger or smaller within the frame simply by shifting the lens elements inside to change focal lengths. This magnifies the view of the subject while the camera itself remains stationary.

How do I tell the difference?
In a zoom shot, as the subject gets bigger within the frame, the spacial relationship between the subject and the objects or people around the subject will not change. This is the first technique used by the crew in the video above. It looks artificial because there is no shift in perspective.
However, when there is a movement of the camera, the relative position of everything within the frame changes constantly. The crew tried this method second, and were more pleased with the results. This method replicates closely our expectations of movement. For this reason, most motion pictures favor a tracking shot over zoom.

But that doesn’t mean that zooms and dollies can’t coexist together.
In cinematic situations of suspense or fear, a zoom paired with strategic camera movement can create a dramatic effect. The subject in the foreground stays a consistent size within the frame, but the background grows bigger and bigger. The unnaturalness of a shot like this is a powerful mood enhancing tool. The Vimeo crew tried this method last and liked it best for their video.
While the growing background is perfect for expressing a negative emotion, the trick can be reversed, creating a background which recedes. This shrinking background is perfect for positive moments of realization or clarity.

What’s the trick?
In order to get the background to grow, a zoom lens is used to shift between a short focal length and a long focal length. The problem is that the foreground also grows. So, to offset this, the camera must move as it zooms to compensate for the magnification, keeping the foreground subject at a stable size within the shot.

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Wednesday, September 28, 2011

NEW Google AdWords For Video

YouTube will launch Google AdWords for video in beta on Wednesday. The tool aims to simplify online video ad campaigns and allow advertisers to use a dynamic, auction-based platform to place and manage ads on YouTube and the Google Display Network.

The platform, built on top of AdWords technology, uses the same pipeline to serve ads. It's the same product, but presents video first. In the platform, advertisers will have an option to create one campaign from a selection of video assets and pay only for a video views, rather than impressions using a series of four TrueView video ads.

With the launch, YouTube rebranded Promoted Videos to TrueView in-search and TrueView in-display. Aside from in-search and in-display, YouTube also added in-slate and in-stream.
It turns out that in-stream video ads boost brand recall. eMarketer points to a study by Break Media that finds viewers not only remember seeing in-stream ads, but also recall the subject. Forty-seven percent said they remembered the brand or product advertised after viewing a pre-, mid- or post-roll video ad.

Lane Shackleton, product manager, YouTube, said the new formats simplify the ad-buying process. In the display format, advertisers will have an option to run click-to-play ads. The in-stream option does not require advertisers to pay for the ad unless the viewer watches more than 30 seconds before skipping through.

A dashboard in the Google AdWords for video platform allows advertisers to set budgets, as well as monitor impressions, views, average cost per views, total costs, and Web site clicks. Advertisers enter a headline, description and thumbnails, display URLs, destinations and more. A preview window gives advertisers a view into where and how the video will run.

Advertisers can now define a target group, set bid amounts for each of the four formats, and search and set target suggestions by keywords. For example, the targets include topics like Art & Entertainment; Audiences, males from 18-24; and Interests, hiking & Camping. The targeting capability uses logged-in user data provided by the users in YouTube accounts and some inference data. Advertisers also can target by content, such as Spanish-speaking content or sports.

A call-to-action overlay makes an offer to viewers, shares more information about businesses and drives traffic to Web sites. The overlay appears as a display ad over the TrueView in-search and in-display videos that play on YouTube.

Similar to an analytics platform for paid-search ads on google.com, Google AdWords for video offers reporting capabilities such as monitoring length of time for views. Advertisers can see who views the videos, how long they watch and what other actions they take. For advertisers, it aims to improve the campaign's performance.

Some use information on view-through rate for campaign-split testing, where they can test multiple ads to determine the one that resonates best with their audience.
-Laurie Sullivan, MediaPost

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Thursday, September 22, 2011

Our peeps are working on the new Whitney Sitcom!

Watch the premiere on NBC tonight!

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Monday, September 19, 2011

Video Viewers Use Tablets, Not Smartphones



When it comes to viewing premium video, consumers have more options than ever, from TVs to PCs, tablets and game consoles. How are people dealing with all these choices? A new PwC study finds that while traditional TV is still king, consumers are more receptive to new video platforms than they were a year ago, especially tablets.

But the willingness to embrace alternative screens does not appear to extend to mobile phones, whose small screens and slower network connections limit their appeal for watching TV shows and movies. The large screen of the home TV remains the favored way to watch video, with two-thirds of those surveyed indicating interest in tuning in the TV set.

Still, more than half (58%) said they spend more time now viewing movies and TV shows online than they did a year ago. "This was further validated in qualitative discussions, where consumers confirmed that they spend more time using their Internet-connected devices, especially iPads," stated the PwC report.

The study emphasized that people considered tablets a "wholly different mobile viewing experience" compared to smartphones, given screen size. Less than one-quarter (23%) had an interest in watching premium video on smartphones. PwC said the lack of enthusiasm for mobile video is consistent with research it has done over the last 18 months.

The PwC findings were based on a survey of 312 U.S. adults ages 18 to 59 conducted in spring 2011.
-Mark Walsh, MediaPost 

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Friday, August 12, 2011

Social video builds awareness for luxury brands.

Luxury brands that are looking to implement social video into their marketing campaigns need to keep the creative engaging and provide a reason for the content to be shared.

Luxury brands can increase awareness and attention and drive people in-store or to branded Web sites through online video.  However, this content needs to be shared and highlighted by influential people for the video to be found by consumers.
For luxury brands, video is an amazing way to build an emotional connection. With traditional online banners, it is difficult to build a proper connection.

For luxury brands building a relationship with consumers, it is necessary to engage and make consumers be loyal to certain brands.

The four A’s
There are four major goals that luxury brands can aim to accomplish through social video.
1. Spread brand awareness, which can be accomplished by having the video on as many platforms worldwide as possible.
2. Advocacy, which is created when consumers endorse the brand by liking them on Facebook, following them on Twitter or sharing the video through blogs and email.
3. Get attention. To do so, they need to increase the amount of time consumers spend with a their video.
4. A call-to-action, such as getting consumers in-store or ordering from a branded Web site.
However, a brand should not attempt to do all four things in one video.
The video gets too confusing for the viewer and nothing is achieved.

Sharing is caring
After choosing a goal for the video, a brand needs to ensure that the video content is distributed to its target audience.
Many people think that if they just create good content they can just post it on YouTube, but that won’t work because there is too much content on YouTube.
Luxury brands already using social media video:
- Audi is upping its social media presence and building the hype surrounding its latest limited-edition model through a week-long video series that it released via Facebook and Twitter handles (see story).
-,Jimmy Choo launched its Catherine handbag line with a behind-the-scenes documentary released on its Facebook page and branded blog (see story).
- Chanel released a video on its Facebook page for its pre-Fall/Winter 2011 campaign that highlighted the campaign’s androgynous theme (see story).
There are a few ways brands can ensure that the video content gets distributed.
First and foremost is to make the content creative and engaging.
Online video should not be a longer version of a brand’s television ad since that it will be too advertorial and not engaging enough to be shared among a viewer’s network.
A brand should be aiming to hit social triggers that will make people inclined to spread the content among their networks.
Some of the biggest triggers are things that are dubbed as funny or cute.
A great way besides Facebook and Twitter for brands to spread video content is to have it picked up by an influential blogger that creates a discussion around the video content.

Overall, keeping things simple and engaging is what brands need to keep in mind when designing videos.
And, when combined with social media, the value is unequivocal.
Video consumption is rocketing and Internet users are increasingly looking to video to inform, educate and entertain.
Social media makes it easier than ever before for brands to target niche audiences such as high net worth individuals and to do so at speed and scale, with very little media wastage.
-Kayla Hutzler, Luxury Daily, New York

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Sunday, July 17, 2011

178 million U.S. Internet users watched online video in June

According to comScore Video Metrix, 178 million U.S. Internet users watched online video content in June for an average of 16.8 hours per viewer. The total U.S. Internet audience engaged in more than 6.2 billion viewing sessions during the course of the month, an all-time high.

Top 10 Video Content Properties by Unique ViewersGoogle Sites, driven primarily by video viewing at YouTube.com, ranked as the top online video content property in June with 149.3 million unique viewers, followed by VEVO with 63.0 million viewers and Yahoo! Sites with 52.7 million viewers. Microsoft Sites came in fourth with 50.7 million viewers, while Viacom Digital ranked fifth with 49.5 million viewers. Total viewing sessions surpassed the 6 billion mark for the first time, with Google Sites generating the highest number of viewing sessions (2.3 billion) and highest time spent per viewer (324 minutes, or 5.4 hours).

Top 10 Video Ad Properties by Video Ads Viewed
Americans viewed nearly 5.3 billion video ads in June, with Hulu generating the highest number of video ad impressions at more than 1.0 billion. Tremor Media Video Network ranked second overall (and highest among video ad networks) with 753 million ad views, followed by Adap.tv (678 million) and BrightRoll Video Network (629 million). Time spent watching videos ads totaled more than 2.2 billion minutes during the month, with Tremor Media Video Network delivering the highest duration of video ads at 429 million minutes. Video ads reached 49 percent of the total U.S. population an average of 35.6 times during the month. Hulu delivered the highest frequency of video ads to its viewers with an average of 38.8 over the course of the month.
-comScore

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Friday, July 15, 2011

Social Video Marketing Tips for Brands & Businesses

New research from Brightcove shows that videos shared through social media perform better than other videos, with higher engagement and completion rates.

Social Video Stats & Trends (per Brightcove)

Videos shared through social media perform better than other videos. For example:
  • Every auto-share Tweet from YouTube results in roughly 6 new YouTube viewing sessions.
  • Videos shared via Facebook are driving traffic for brands and media companies.
  • Viewers that find new videos to watch via friends or influencers on social networks are more likely to view or even complete watching an entire video.
  • Web pages with video and text are 60% more likely to show up on the first page of Google.

Social Video Marketing Tips

How do you enhance the social effect of video for your brand or business?
  • Video gets you ranked higher on Google.
  • Video can drive traffic to your site.
  • Include Facebook and other sharing buttons on your videos and on the video player to simplify sharing.
  • A clickable call-to-action in the video can boost engagement with your video and website.
  • Monitor, assess and measure how your videos are being shared, and where referrals are coming from.
Put the power of video to work for your brand and business.

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Wednesday, July 13, 2011

Q and A Site Quora Adds YouTube Video Embeds

Q&A services are all the rage right now, with sites like Quora and formspring adding tons of new users and piling up the archives of content. And now Quora is taking a huge leap forward in engaging content by adding the ability to embed YouTube videos inside of their Q&A pages.

But the addition of video is huge. Surely I don’t need to preach to this audience about the power of video to convey thoughts and emotions in a way that is vastly superior to simple text.

Consider the sample Question thrown out by Mark Bodnick, who is part of the Quora product marketing team. He points to the recent submission of “What’s are the best storytelling songs?” as a perfect example of how video can make the Q&A experience richer:

quora video 606x577
A video of a song embedded as an answer to that question is a far more engaging response than someone typing the name of a song and the artist. With video, readers can actually experience each suggested answer

It’s also another sign of video’s pending world domination. It’s showing up everywhere. Bloggers are now vlogging. E-commerce sites are adding product videos. There will always be plenty of products and services on the web that are not video-based, but soon enough, they’ll all at least be using video in some way: for promotion, for internal communication, for richer content offerings, or as a core product.- Jeremy Scott, ReelSEO


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Friday, June 24, 2011

Kelloggs Drives Thousands from Cereal Box to Mobile Video

The power of Mobile Video!

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Monday, June 20, 2011

Top 5 Video Viewing and Video Ad Sites.


Facebook is rapidly emerging as a force in online video, according to comScore. In May, Facebook.com ranked fourth among all online sites with 48.2 million video viewers.

While the top social network does host user-uploaded videos, it mostly aggregates the YouTube clips that users publish on their walls.

Top 5 Sites for Video Viewers - May 2011
1. Google/YouTube - 147.2 million
2. Vevo - 60.4 million
3. Yahoo - 55.5 million
4. Facebook - 48.2 million
5. Viacom Digital - 46.5 million

176 million U.S. Internet users watched online video content in May
Average of 15.9 hours per viewer.
Total U.S. Internet audience engaged in more than 5.6 billion viewing session.

May Video Ad Views
Hulu - more than 1.3 billion.
Tremor Media Video Network - 700.8 million.
Adap.tv - 642 million.
BrightRoll Video Network - 565 million.

Americans viewed 4.6 billion video ads.
Time spent watching videos ads totaled more than 2.0 billion minutes during the month.
Hulu delivered the highest duration of video ads at 560 million minutes.

Video ads reached 45% of the total U.S. population an average of 34 times during the month. Hulu also delivered the highest frequency of video ads to its viewers with an average of 48 over the course of the month.

Top Video Ad Networks (reach of the total U.S. population)
Tremor Media - 47.1%
BrightRoll Video Network - 42.1%
Break Media - 40.4 %

83.3% of the U.S. Internet audience viewed online video in May.
Average duration - 5.2 minutes.
Average online video ad was 0.4 minutes.

Video ads accounted for 12.6% of all videos viewed, and 1.2% of all minutes spent viewing video online, comScore found.-Gavin O'Malley, MediaPost

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Wednesday, June 8, 2011

Sell More, Make More, Succeed with VMakers!



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D. Crudeli & Associates Video Created by VMakers.com



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Thursday, May 26, 2011

Video: A Direct Effect on Sales.

According to a quarterly survey of video presence at major online retailers, e-commerce video is becoming an increasingly important part of the sales process at many sites. The number of retailers using 1,000 or more clips has increased 50%, now comprising 32% of retailers, up from 22% the previous quarter. Leading the way is Overstock.com, which carries approx. 95,000 product-oriented clips. Close behind is Amazon.com with 72,636 videos. Also deep into video are the online extensions of the shopping channels, HSN (29,6220 videos) and QVC (17,687). The most impressive shift is not the higher volume of videos being used by retailers so much as the number of companies now recognizing the power of video to sell the goods.

In addition to leveraging video on site, retailers have been upping their presence and acceptance on YouTube. Subscribers to retailer video channels increased 21% in the quarter. The number of retailer videos posted to YouTube in the quarter rose 9% to 96,000, and the 420 million views of these videos represented a 13% quarterly increase. Nike and Systemax (TigerDirect, CompUSA, CircuitCity) enjoy the most video views on YouTube.

Another key area for tying video to sales is search visibility. The number of retailer videos popping up in search results has also increased substantially, he says. In this respect HSN is a search SEO leader, with 12,500 videos being indexed, compared to Overstock with 6,310. Interestingly, high profile brand Nike also does well in search, even better than Apple or Victoria's Secret. Bing has been drilling more effectively into retailer video recently.

The metrics around video in search and on retail sites is starting to prove what many marketers felt in their gut - that video has a direct effect on buying decisions and its value can be mapped and measured.
Steve Smith, MediaPost
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Wednesday, May 18, 2011

New VMakers Video Just Uploaded!

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Tuesday, May 17, 2011

Blip.tv now video content curator.

If you think professional video shows created exclusively for the Web are difficult to find, you’re not alone. Blip.tv, a video site that specializes in Web-created shows, has heard the same complaint from its users too. To fix this problem, the company reintroduced its Web site on Tuesday with a focus on curating the best video shows for its users.
“The goal of the redesign was to figure a way to help people discover new and original series on our site,” said Dina Kaplan, a co-founder of Blip.tv. “People have no idea where to go and where to find original Web video online — which can be a daunting task — and our redesign definitely solves that problem.”
The new Web site, which is built using HTML5 and CSS, aims to highlight the top 5 percent of content on the Blip.tv site. Damien Bruno, the general manager of Blip.tv, said the site hosted over 50,000 video series. Finding the best content in this haystack can be a formidable task for anyone, Mr. Bruno said.
To help narrow down interesting content, Blip.tv producers will start picking videos with the best-quality content and then highlighting them on the site.
The new site also offers users a way to dive through content through a series of new portals. These include popular videos, which display the most watched content on the site, and trending videos, which highlights the most viewed video series, week to week, as they grow in popularity.
Blip.tv has grown rapidly over the years as a Web site dedicated to popular video series. Blip.tv has also grown a large following with its content creators as it is one of the few sites that shares advertising  revenue with the producers.
“Last year we had producers of shows making $500,000 a year on their Web series,” said Mike Hudack, chief executive and co-founder of Blip.tv. “In 2011 we expect that number to hit $1 million for some producers.”
The new site design will soon be followed by an updated iPad and iPhone application and more integration into devices that hook up to a standard television.
-Nick Bilton, New York Times
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Wednesday, May 11, 2011

New video just created by VMakers!

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Brand Ad Dollars Continue Migration From TV to Online Video

Brand advertisers are continuing to divert ad spend away from broadcast TV and toward online video, advertising agencies say. Despite that fact, most prefer to acquire inventory direct from publishers and networks rather than exchanges and demand-side platforms.

Speaking at Streaming Media East panel in New York City today, representatives from Zenith Media and Aegis Media said their brand-focused clients - particularly those in the consumer packaged goods sector - are growing their investment in online video consistently, as audiences continue to diversify their content consumption habits.

"CPG clients will continue to spend a lot on video to replace the erosion of audiences for TV," said Gina Smilyansky, digital strategy director at Aegis-owned Carat, in reference to users' increased use of devices such as laptops and tablets. Carat currently works with CPG giant Procter & Gamble, with Smilyansky focusing on the Gillette brand.

Meanwhile, Zenith Media's Integrated Planning SVP John Nitti described a similar trend among his firm's clients, many of which "are looking to make up for falling audiences in broadcast." He too suggested online video ad investment would continue to grow, especially as agencies and brands become more familiar with identifying key performance indicators and return on investment from those campaigns. Zenith works with clients including General Mills and Nestle in the online video space.

As with online display media, increasing amounts of video inventory are now being made available through demand-side platforms and exchanges, which - in theory - enables advertisers to buy media targeted to niche audiences. Despite that fact, Nitti and Smilyansky suggested the majority of video inventory is still being acquired through direct relationships with publishers or through networks.
"Most clients are comfortable with moving into online with premium, professionally produced content," Nitti said, suggesting the majority of inventory currently available through exchanges doesn't necessarily meet those criteria. "It's also a question of long-form versus short-form. There's a difference between sitting down and opting in to watch a 27-minute show versus a five-minute video," he added.

Likewise, Smilyansky admitted her agency buys relatively little video inventory for brand clients on a data-driven or behaviorally targeted basis. "We're used to doing so in display, but not so much in video yet," she said, adding that it is something "clients like P&G would definitely be interested in" if it could be achieved across well-lit environments at scale - criteria on which she said the space currently under-delivers.

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